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I
read a review of the latest Disney animated film DINOSAUR
in which the writer stated the faces of the animals were
amazingly expressive without seeming human.
Come on.
The whole conceit of almost any animated fare starring
animals is that they must be humanized. Personification
is the name of the game. In this film we do see
compelling animation, the sad and happy expressions of
the lemurs who adopt a baby herbivore (Aladar, voiced by
D. B. Sweeney), and even the fierce grimaces of the
leaders of the herd (Kron, done by Samuel E. Wright, and
Krons right-hand man Bruton, voice of Peter
Siragusa). Wonderful animation computer-generated
images superimposed upon enhanced backgrounds filmed at
real places around the globe. But these creatures talk
and laugh and play: theres an ugly/cute anklyosaur
that plays a doggie-like role. And Aladars
Modern-age thinking goes against the theories of most
behavioral scientists: how many dinos do you think
disregarded their survival instincts to help out
differently-abled brachiosaurs and triceratops?
So, we have to suspend just as much disbelief as we do in
watching other animated adventures.
This adventure starts with a carnivorous dinosaur, horned
and fierce, charging into the nesting ground of
herbivores. Dinosaurs of various species scatter, and
Aladars egg is the only one not crushed from his
mothers particular nest. We watch the egg change
hands a few times, from an egg-sucking thief who drops it
in the water, to the pterodactyl that drops it into the
forest over an island far out into the sea.
On this island Aladar hatches and grows up among a family
of lemurs animals that did not actually exist
during the Mesozoic era. We witness the typical
shenanigans that go on among the young ones the
playful monkey-like lemurs as well as the huge Aladar. Its
not hard to tell that the newest animation techniques are
the only original element in this film. Clearly, we have
seen the plot many times. Think THE LAND BEFORE TIME, or
even the TARZAN films for their themes of exile,
selflessness and personal redemption. Disney was firing
on all pistons when they produced THE JUNGLE BOOK; here
they have let go another film that is pleasing to look
upon but not very deep, another JUMANJI.
The meteor shower is quite an accomplishment, the
gigantic and fiery rocks slamming into the sea around the
island, causing the animals to flee to the mainland for
their lives. Also eye-catching are the vistas through
which Aladar and his small, shaggy family travel
moonscapes as well as lovely meadows and ranges of real
mountains. When they meet up with the herd led by the
grouchy Kron, the characters trudge through what looks
like the Old West, plains cracked by dryness, canyons and
rocks everywhere.
Perhaps the film would be more compelling with stronger
conflicts. Whats going on here is that a couple of
cousins of the T-rex are stalking the herd, which
consists of an amalgam of dinos, the rear brought up by
Joan Plowrights Baylene and Della Reeses
Eema, a couple of aged but still game beasts who
appreciate Aladars kind and gentle approach toward
migration. Will the herd, and particularly the crusty but
lovable oldsters, elude the drooling, evil carnosaurs?
Secondarily, will Aladar survive threats from the leader
of his own pack, Kron, whose sister he seems to be
falling in love with? The sister, Neera, by the way, is
voiced by Julianna Marguiles, in a competent but
unremarkable performance.
Music is also unremarkable, from the pen of James Newton
Howard. Most of it seemed transparent, accompanying the
action scenes well enough.
The actors do wonders in this thinly-plotted work.
Besides the main characters listed above, Max Casella
does a nice comic turn as a lemur called Zinni. Ossie
Davis plays a cantankerous grandfather lemur, Yar, his
raspy voice imbued with character.
Who is the most likely audience for DINOSAUR? Children.
It is rated PG for some scenes of violence, but these are
used to suggest the realities of living in a world
dominated by carnivores. Nowhere do we glimpse anything
too graphic only one long-range killing, a couple
of fight scenes, the skeletal remains of a fallen
dinosaur. Modern kids will not be scared. This film has
gotten a lot of hype, and indeed its trailers looked
slick and awesome. But the movie as a whole is a
collection of clichés bound together by some very nice
animation (though even some of this looks plastic and
fake-y). Disneys best bet was releasing it now, in
May, so that it would not be buried by the hopeful
blockbusters of summer.

Related
Links:

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![[Image]](http://www.hundland.com/reviews/2000/may/dinosaur01.jpg)
![[Image]](http://www.hundland.com/reviews/2000/may/dinosaur02.jpg)
![[Image]](http://www.hundland.com/reviews/2000/may/dinosaur03.jpg)
![[Image]](http://www.hundland.com/reviews/2000/may/dinosaur04.jpg)

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