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Pop
quiz, hot shot: You're a hundred million miles from home,
stranded on a stormy red planet and you've just uncovered
the greatest secret of all time. BUT...your crew is dead,
the face plate of your space suit is cracked, you're
leaking oxygen, and there's noone around to hear you
scream.
What do you do?
What do you do?
If you said, "Call your best friends up at NASA, and
tell them to get their asses out there, pronto",
you'd be right. But now the question becomes, 'What
happens when their ship breaks down, too?'. 'Mission to
Mars' is our first taste of what Hollywood production
companies have in store for the summer box-office. High
concepts, big budgets, and flashy special effects supply
the birthing pool for renowned director Brian de
Palmas latest vision.
Upon entering the movie theatre, I had little idea of
what to expect given the fact that the trailer for MTM is
vague to say the least. However, I knew that there was a
reason for this. There had to be a surprise in store, and
indeed, there was. Thus, I will try to critique the film
without trying to give much away.
MTM is, first and foremost, a good film. Some of the
ideas behind the plot are spectacular, and there are
several enthralling moments. It does have it's flaws,
however, which I will get to in a minute.
Essentially, the plot of MTM revolves around a mission to
rescue the sole survivor of the first manned mission to
Mars. The rescue team, led by Woody Blake (Tim Robbins)
and Jim Mcconnell (Gary Sinise), encounter a series of
technical problems that ultimately doom the ship and send
it plummeting to the planet face. Once on Mars, the team
must use their wits to both unravell the deadly secret
uncovered by the first team, and find a way back home.
And that's all the scraps you'll get from me.
The element that shapes MTM and sets it apart from most
movies in this genre are the dilemmas that the crew must
face. The problems become more logical, more realistic,
and the main conflict in MTM is ultimately Man vs.
Nature. I thought that the CGI work for the planet itself
was fantastic, and I loved the overhead shots of Mars
from outer space. The story was dynamic and extremely
original, the film abounds with "What on Earth/Mars
will they do next?" moments, and I enjoyed watching
the plot unfold. Now to the bad stuff.
After watching MTM, the film that immediately sprang to
mind was Robert Zemeckiss Contact,
which I actually found to be a more satisfying film in
some respects and ironically, MTM provides the answers
that a dissappointed audience from 'Contact' did not
recieve. Firstly, I am not too fond of De Palmas
camera work in MTM. I think that Mr. De Palma's true
talent lies in the 'Gangster/Film Noir' genre, with films
such as the brilliant 'Carlito's Way', 'Raising Cain',
'Scarface' and 'The Untouchables' as his masterpieces of
modern cinema. But...in the realm of sci-fi, he just
doesn't possess the visual dimension and depth that
directors like Speilberg, Cameron, or Zemeckis display of
celluloid. In other words, I thought that in the hands of
a more visual director, MTM would have been a
better film.
I also thought that some of the actors did not preform to
their full capacity and perhaps a better casting call
could have been made. Fortunately, these flaws are minor
and easily overseeable. My main problem with the film was
the resolution. In Contact, for example, the
film merely gives you clues and ideas to solve its
galactic riddle, thus the viewer is left to draw their
own conclusions from the unravelling story yarn. This is
not the case in MTM, rather, the film reveals the answer
to 'the secret of life on earth' in one dramatic blow, in
black and white, and with no middle ground. In
accordance, as a viewer, if you do not like the
explanation you are given, it actually takes away from
the films power. I thought that the explanation was
entertaining, but I did not like the abrupt, 'Persian
bazzar' manner in which it was spelled out. I also
thought that some of the CGI at the end was slightly
disappointing (You'll know what I mean when you see it)
and you wouldn't think to say it, but after nearly 2 hours,
I felt that the ending was too sudden. In
fact, even after the 'THE END' card popped up, many
viewers didn't move because we were all certain that
there had to be more to it.
I saw a lot of parents toting kids along, and while there
is some graphic violence, much of it is too cartoonish to
take seriously, and the film does not focus on violence
as a driving force to move the plot along. Inevitably,
the film is rated PG so what do you expect?
My conclusion is just as abrupt as the ending of MTM. My
advice? Go watch it and see what you think.
| Story: |
5/5 |
| Special
Effects: |
4/5 |
| Overall: |
3.5/5 |

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there be life.

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