| |










 |
|
My
Dog Skip
Jay
Russell's MY DOG SKIP is a charming small film for family
members of all ages, but it is no HUCKLEBERRY FINN.
We see images of Mark Twain's masterwork in several
segments of SKIP. It appears behind the opening credits,
in shots of period objects - furnishings from kids' rooms
of the 1920's and '30's. Then the protagonist Willie
Morris (Frankie Muniz) receives a hardback copy from his
grandfather. Mostly the filmmaker crafts images that are
supposed to be from a lost age in America - shots you
might find in a catalog from a Norman Rockwell show. In
one sequence, Willie and his Becky Thatcher-like friend
Rivers Applewhite (Caitlin Wachs) tramp along a path, and
later they paddle down a sleepy creek in a canoe. It
doesn't matter that the film is set during the Second
World War, almost 60 years after HUCK FINN was published.
Russell is out to evoke a mood of nostalgia, an emotional
tone of innocence mixed with virtually any genuine
American ethic you can think of: hard work, independence,
freedom, and so on.
The only problem is, these elements combine to create a
batch of clichés, and they end up taking undue attention
from the plot elements that are trying their hardest to
hang together as a story. Even the set decoration is
overdone, from the vintage baseball and football gear to
the product advertisements cluttering the main street or
painted on brick walls. The actors playing the parents of
Willie's hero, next-door neighbor Dink Jenkins (Luke
Wilson), are shown pausing (a real Rockwell moment) after
they hang a small service banner from the porch ceiling.
(Weren't these star flags hung in windows, by the way?)
It may have been more appropriate to suggest a hint of
the '40's, instead of flavoring the film so strongly.
The coming-of-age story is good enough. Loner Willie's
only guests at his birthday party are elderly relatives
and his own parents. Against her husband's wishes, Mrs.
Morris (Diane Lane) gives Willie a dog, an "only
dog" for an only child. What follows is a series of
episodes typical of growing up stories. We watch Willie
in various stages of happiness and sadness in the town of
Yazoo, Mississippi. At times both Willie and his pooch
fall into jeopardy - scenes mainly involving a couple of
bootleggers hiding their hooch in a cemetery. These
scenes are also reminiscent of Twain: Tom Sawyer this
time. And the head bootlegger Junior might be compared to
either Injun Joe or Huck's Pap.
The boy-and-his-dog story is engaging. Frankie Muniz
(from the television series "Malcolm in the
Middle") is a pleasant discovery, his face
expressive and boyish enough to play a few years younger
than his actual age. Muniz has a way of crinkling his
smallish mouth to show anger or frustration, and he's
also convincing in his onscreen crying.
His dog - the title character - is played by the Jack
Russell terrier Moose, who also portrays the rascally
Eddie on the t.v. show "Frasier." Excepting the
brief shots in which you can see Moose staring off-camera
at his trainer, this dog is wonderfully photogenic and
clever. And he seems to have a true bond with Willie.
He's the reason the film tips the scales more toward
success than failure.
Willie has three enemies that become friends, and
unfortunately these boys do not act their roles as
comfortably as many other child actors would. Perhaps
this is also a result of stereotypical characterization:
the dim follower, the dirty towheaded sidekick, the
suspender-wearing, loutish bully. None of these young
actors can match Muniz's air of ease.
As Willie's father, Kevin Bacon tries valiantly to be a
gruff but loving presence. His character lost his lower
leg in combat in the Spanish Civil War, and now rides out
his work life as an accountant, hiding his injury behind
a desk. A small snag is that Bacon is not as old as the
character he's playing, and he does not display a
convincing Mississippi accent. (Most characters don't, if
you want the truth, with the possible exception of
Rivers.)
It's admirable that one of the film's agendas is to
promote tolerance. Willie talks briefly with an
African-American boy, who brags about a black athlete
named Waldo Grace in the same way Willie brags about Dink
Jenkins. We see blacks occupying the balcony seats in the
town movie palace, and black families sitting around
their part of town; at the end we even spot Willie and
his friends watching Grace pitch and hit the horsehide at
the Negro ball ground.
MY DOG SKIP is a mixed bag of pleasures and conventions.
I would recommend it for both children and adults, though
adults may find a few of its minutes taken up by
sentimentality. It's worthwhile for its PG rating as
well: my 11 year-old daughter liked the scenes featuring
Willie and Rivers (or should I say Huck and Becky, or
even Forrest and Jenny?)

Related
Links:

|
|
 Every
family needs an optimist.

![[Image]](http://www.hundland.com/reviews/2000/march/mydogskip01.jpg)
![[Image]](http://www.hundland.com/reviews/2000/march/mydogskip02.jpg)
![[Image]](http://www.hundland.com/reviews/2000/march/mydogskip03.jpg)
![[Image]](http://www.hundland.com/reviews/2000/march/mydogskip04.jpg)

|