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Full
of fun, great animation and fine voice-acting, Walt
Disney Pictures' THE TIGGER MOVIE is a welcome addition
to the bleak theater offerings of mid-February.
Taking full advantage of the solid Winnie the Pooh
franchise, the producers have added new dimensions to
many of its characters. We see the most of Tigger, of
course, the namesake of the movie; he is friendly towards
all the inhabitants of the Hundred Acre Wood. What's
charming is that this treatment creates a close
friendship between Tigger and Roo, the tiny son of Kanga,
and the most child-like character, besides Tigger
himself.
The main plot of the film has Tigger yearning for a
family of his own: it's no longer the most wonderful
thing about Tiggers, that he's the only one!
At first the group of animal friends goes off on little
sorties, searching for other Tiggers, as though they are
convinced of their existence. Finally - and this is
perfect - the friends agree to write a letter to Tigger,
from his family; the pompous Owl wields the pen, and the
letter is co-written, one line from each of the major
characters. It's heartfelt advice, stuff like "Eat
well" (Pooh-bear's contribution), "Stay safe
and sound," and other sentiments, reveals much about
the true and important feeling imparted by membership in
a family unit. Soon the letter is on its way, and Tigger
is indeed convinced that his family is real. When Tigger
readies his ramshackle house for a welcoming party, his
motley friends end up donning Tigger costumes and try to
trick their overactive tiger-like pal. Some of the most
cinematically stunning effects in any Pooh installment
follow Tigger's disappointment at discovering he's been
hoodwinked by his overzealous pals.
The voices are among the most engaging aspects of the
movie. Jim Cummings has done Pooh's voice since 1987,
emulating well the hoarse mildness of the late Sterling
Holloway. Now he has assumed the duties of Tigger as
well, after Disney's dismissal of the inimitable Paul
Winchell. It is amazing, however, how much Cummings
sounds like the persona created by Winchell. The
inflections, wacky asides and "hoo-hoo"
laughter is nearly dead-on.
Nine year-old Nikita Hopkins supplies the voice of Roo,
an innocent and likable voice that's perfectly cast.
Kanga is Kath Soucie, the ever-patient and loving
mother-figure.
Peter Cullen does a nice job with the pessimistic Eeyore,
an amusing droop to his voice. Owl is voiced by Andre
Stojka, a nice edge of pretension to his depiction. Tom
Attenborough does not get much screen time as Christopher
Robin, the human owner of the "dolls" that live
in the Hundred Acre Wood. And veteran actor John Hurt
does a decent turn as the narrator. I liked how this
incarnation preserves the 1960's narrative technique of
showing a storybook, letters and words pouring off the
page at times. But Hurt is not used enough to exert a
strong presence in the story.
The sole carry-over from the old cast (which originated
the Disney version of A. A. Milne's classic stories with
the Academy Award-winning short "Winnie the Pooh and
the Blustery Day" in 1968) is John Fielder as
Piglet, whose voice is even more light and humble than
Pooh's. Long experience has added a subtle sheen of
sympathy to the voice of the friendly little pig.
Another star is the animation. Much of it was done at
Disney's Japan animation center, with other parts being
shared around the globe. Featured are muted colors - hues
that compliment well the simple and heart-warming
narrative line. The green pastel trees and stylized
backgrounds are unmistakably Disney, a quaint throwback
mix of the "Disneyfied" and "Classic
Pooh" styles in some ways.
Music is also excellent. The original team that has done
all the music for previous Poohs is back: Richard M.
Sherman and brother Robert B. Sherman. The pace and
lyrics and overall effect of their original songs add a
good deal to the enjoyment factor. Kenny Loggins
collaborated on the closing ballad, while Harry
Gregson-Williams capably supplied the rest of the score.
The film is rated G, another rare and welcome element in
today's viewing culture. It is very watchable for all
ages, as the story moves quickly forward, not without a
generous sprinkling of wit along the way. See it now with
a child or without; it's one of those films you will
never be sorry you sat through!

Related
Links:

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![[Image]](http://www.hundland.com/reviews/2000/feb/tiggermovie01.jpg)
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